Acabo de encontrarme con este artículo/clasificación en ThePlayList "The 50 Best Foreign Language Movies Of the 21st Century So Far". Dejando a un lado el top, me ha parecido interesante ponerlo aquí por si se busca cine, aquí hay títulos obligatorios y otros que tal vez no conozcáis y nos ayude a descubrir otras joyas. Me he apuntado unas cuantas. Incluso si alguien quiere recomendar alguna/s de esta lista, etc.
1. “Volver” (2006)
2. “Caché” (2005)
3. “Memories Of Murder” (2003)
4. “A Separation” (2011)
5. “In The Mood For Love” (2000)
6. “The Headless Woman” (2008)
7. “Holy Motors” (2012)
8. “White Material” (2009)
9. “City Of God” (2002)
10. “Dogtooth” (2009)
11. “Yi Yi: A One And A Two” (2000)
12. “Y Tu Mamá También” (2001)
13. “Bamako” (2006)
14. “Poetry” (2010)
15. “Pulse” (2001)
16. “Certified Copy” (2010)
17. “Eden” (2014)
18. “Reprise” (2006)
19. “4 Months, 3 Weeks, 2 Days” (2007)
20. “Pan’s Labyrinth” (2006)
21. “The Beat That My Heart Skipped” (2005)
22. “What Time Is It There?” (2001)
23. “No” (2012)
24. “The Hunt” (2012)
25. “Oldboy” (2003)
26. “Everyone Else” (2009)
27. “Stranger By The Lake” (2013)
28. “Syndromes And A Century” (2006)
29. “The Diving Bell And The Butterfly” (2007)
30. “Blue Is The Warmest Color” (2013)
31. “Two Days, One Night” (2014)
32.”A Girl Walks Home Alone At Night” (2014)
33. “Girlhood” (2014)
34. “Mommy” (2014)
35. “Ida” (2013)
36. “Millennium Mambo” (2001)
37. “Tabu” (2012)
38. “Irreversible” (2002)
39. “Leviathan” (2014)
40. “Summer Hours” (2008)
41. “The Lives Of Others” (2006)
42. “Crouching Tiger, Hidden Dragon” (2000)
43. “I Wish” (2011)
44. “Let The Right One In” (2008)
45. “Downfall” (2004)
46. “Wadjda” (2012)
47. “Incendies” (2010)
48. “Songs From The Second Floor” (2000)
49. “Fat Girl” (2001)
50. “Monsoon Wedding” (2001)
A parte mencionan:
“Secret Of The Grain,” Bong’s “The Host” and “Mother,” Zvagintsev’s “The Return” and “Elena,” Farhadi’s “The Past,” Ang Lee’s “Lust, Caution,” Park’s “Sympathy For Mr. Vengance,” Kore-eda’s “Still Walking,” Mia Hansen-Løve’s “Father OF My Children,” Kurosawa’s “Tokyo Sonata” or Lucrecia Martel’s “The Holy Girl,”
Claire Denis’ “35 Shots Of Rum” or “The Intruder,” the Dardennes’ “The Son,” “L’Enfant” and “The Kid With The Bike,” Almodovar’s “Talk To Her,” Haneke’s “Amour,” “Code Unknown,” “The Piano Teacher” and “The White Ribbon,” Hou’s “Three Times” and Apichatpong Weerasethakul’s “Tropical Malady” or “Uncle Boonmee.”
“The Motorcycle Diaries,” “Caramel,” “The Taste Of Others,” “Amores Perros,” “Together,” “Sin Nombre,” “Werckmeister Harmonies,” “Persepolis,” “Force Majeure,” “Once Upon A Time In Anatolia,” “Silent Light,” “A Christmas Tale,” “The Death Of Mr. Lazarescu,” “Russian Ark,” “Amelie,” “The Orphanage,” “Attenberg,” “Revanche,” “Neighbouring Sounds,” “Twilight Samurai,” “Devdas,” “Exiled,” “Police, Adjective,” “Lebanon,” “Time Out,” “The Edge Of Heaven,” “Gomorrah,” “Waltz With Bashir,” “Embrace Of The Serpent,” “Mustang,” “A Simple Life,” “Son Of Saul”
