The Last Guardian #HO

Acabo de darme cuenta hoy que sale este 7 de Diciembre...

Me espero mejor no? Porque tengo mucho vicio con el FFXV y tengo mas juegos por detrás que jugar ademas que en Enero si o si cae el Digimon...

¿Pero opiniones lo reservo o me espero mejor?

Sera por juegos que he comprado a esperas de jugarlos en un futuro en Steam y ahí están sin tocar... xD

Que ganas le tengo...

Eso si, si el juego me gusta, 9/10 horas son pocas

Review de un mod de GAF que ya lo tiene, sin spoilers

I took notes as I played...I guess I played about 4 hours or so? I played up until just after the part they showed at E3 2015, which, by the way, is really quite fun in the game. And, as you know, I'm pro. Anyway, there is a lot going on here that Ueda and team are doing and I didn't want to forget any of it.

First, technicals for people who want it: the game itself is seriously stunningly beautiful. The indoor areas are full of richly detailed textures and great lighting effects. On the Pro, IQ is absolutely pristine. HDR really helps sell the package and really helps sell the ethereal nature of the game. The sun glistening off blades of grass is a beautiful effect. Performance is fine but I think leaves something to be desired. It's not noticeably chuggy in any particular area, but it can feel sluggish in certain scenes (I can't find any commonality between them). The animation is out of this world. I don't think I need to elaborate. The Last Guardian is absolutely drop-dead shockingly beautiful and anyone who says otherwise is a troll.

The game immediately establishes not only the size and scale of Trico but the fragility of the boy. In the very first scene, Boy (I'll call him Boy) yanks a spear out of Trico. Trico kicks and hems and haws and knocks Boy into the wall, which knocks him out cold. The game absolutely sells at every opportunity the dichotomy between the two, which makes this a real role reversal from ICO. The player is the vulnerable one and the player is the one that is useless in combat. Combat is actually taken away from the player entirely (at least so far) and the player relies on Trico for support. And Trico does not screw around! Combat is not frustrating like ICO for this reason. There are also some neat role reversals from SotC. For example, the player completes the "reverse" action on Trico in this game with the spear pulls. Whereas previously you'd be climbing all over big monsters and stabbing them, now you are climbing all over a big monster and trying to help with stab wounds. There are lots of little things that animate similarly to Ueda's old games and remind me of them.

The game frames early puzzles for players through Man's narration. If you get lost, for example, Man will chime in describing the situation and telling players what the issue was or what he did. I think this is a really effective way of helping stuck players and I haven't seen this in another game. The game will say something like, "The beast immediately became pissed off, and I searched for a way to soothe him," or something like that, which gives you the hint.

The controls feel fine. They're almost exactly like they were in SotC, with real "weight" to them and definite acceleration and deceleration periods. I don't expect anyone to have a problem with them, though the camera is more frustrating. I played for a couple of hours at the default speed; I recommend immediately turning it up until you are comfortable. It makes the game feel considerably snappier and solves a lot of issues. Fundamentally the challenge the game is dealing with is not just small rooms + big beast but that the camera is working to cinematically frame both characters to the best of its ability in a way that maintains the scale differential. Often this means Trico's head will be out of the frame. This is unsettling to players so we're constantly fudging with the stick. The camera has a definite acceleration as well so you're going to overcompensate if you start fuddling with it. I'm sort of getting used to just leaving it be and it does a fine job.

The weight of the boy feels realistic but creates awkward animation situations sometimes. His butt ends up over his head catching ledges while falling, for example. It's not a big deal but it certainly does look funny.

I took hundreds of screenshots while playing, which I have never done before. Trico will make you love him; pet lovers will be done in instantly while non-pet people will have their attention earned. Every time I look at Trico I see my Boston Terrier Max. Here is my little Last Guardian:

Maybe it is his ears? Anyway, to call Trico lifelike is to undersell Trico's animation. He's not lifelike, he's...likeexactlylike. The way he navigates small spaces, claws at things he wants to eat, the way his ears react in the wind, the way he vocalizes and draws attention, and just the way he looks at you...it is an out of body experience to play this game if you have a pet. Max himself seemed fascinated by the game and sat on the ground watching Trico on screen.

The first time Trico comes to your rescue, you will just have your heart melt. Regardless of what you think of the game, the level at which Ueda and team have executed on their goal to build a lifelike animal creature is truly something special.

The satisfaction of "training" Trico is akin to getting a new dog or puppy to do a trick for the first time. Early in the game you get the ability to issue "commands" to Trico. They are basic and unidentified by the game. You can figure out they include jump, look, smash, etc. The first time you mount Trico and say "jump!" and he does, you will feel a rush of emotion as you can feel the bond between your characters forming. Or at least I did. Trico can't speak, and really neither can Boy since Trico can't understand him, but they don't need to. Trico doesn't call Boy and ask him if he wants to go look at some titties or tell him hoo-rah or say stay frosty, but the communication between these two is strong.

The game has a real Dark Souls vibe in terms of being able to "see" the upcoming game environments as you play earlier ones. For example, you can see the demo environment as you cross through the levels "underneath" it, which is a nice touch. The game itself has a real sense of place just like the two worlds Ueda and team built before this one. Logically things flow together and logistically you can believe that things connect to other things. Critically, puzzles are extremely organic and do not feel overwrought or "puzzley." They are satisfying and the game doles them out in well paced chunks. By the time you actually start really platforming through puzzle levels with Trico, you feel like you have earned it. And it really is fun to watch Trico jump from pillar to pillar...as you hold your breath and hope he makes it OK.

Animal logic works with him. He's self sufficient mostly, so you shouldn't spend time trying to micromanage him. In fact, I was surprised often by how he was able to follow me through small areas and into places I thought I'd have to ride him or tell him how to maneuver through. Perhaps this is one area players will be frustrated by him. If you need his attention, food really works! In fact, food seems to be one of his utmost priorities at all times. There is one very neat puzzle where you need to get him to stop doing something and get him to do something else. Guess what works! Food.

I have not found it to be the case that I had to be in a particular spot or have Trico be in a particular spot in order to progress through a level. If you've explored a room entirely and get stuck, I have found that watching and listening to Trico usually gives it away. You can also mount him and give him commands to effectively steer him to where you need to go. I really haven't found him very frustrating.

Trico's tail magic reminds me a LOT of Yorda's lightning.

The subtitle font is absolutely gorgeous. Wonderful kerning. Bold. Clear. Huge.

Anyway I think I want to go play more.

Básicamente dice que tiene bajadas de fps y los controles son un poco meh, cosa totalmente normal en un juego de Ueda tho. Pero que el juego tiene algo especial como los anteriores y artísticamente es una pasada.

Se nos viene juegazo.

Simon Parkin de The Guardian da a entender que para él es el juego del año:

[...]

But the standout game of 2016 will be The Last Guardian, a Japanese-made buddy game about a young boy and a hulking, dog-like creature who together must escape a tumbledown castle. In the pair’s movements the game has all the masterly animation of a Studio Ghibli film, but The Last Guardian’s true power comes from the way in which a story of trust, companionship and restoration (Trico, as the creature is called, has clearly suffered much abuse at the hands of his captors) is told not through cinematic scenes, but through the game’s tactile interactions. If ever there was a story to salve the wounds inflicted by this dark year, this is it.